Hawk Vintage '74 - backlight test - YouTube. Hawk V-lite Vintage '74 testShot at Hawk Los AngelesSony F35ISO 450Recorded on odyssey 7Q in ProRes 4444 formatSlog to Alexa X2 LUT appliedExported in Vantage Hawk V-Lite Vintage '74 (2x) Vantage Hawk V-Plus (2x) Vantage Hawk V-Plus (Vintage '74) Zoom (2x) Vantage Hawk V-Plus Zoom (1.3x) Vantage Hawk V-Series Zoom (2x) Vantage Hawk Zoom Vantage Macro Vantage One T1 Vantage One4 Vantage V-Series (2x) Vazen Anamorphic Primes Runtime : 2 hr (120 min) Color : Color: Aspect Ratio : 2.39 : 1 Camera : Hawk V-Lite Anamorphic Lenses Hawk V-Lite Vintage'74 Anamorphic Lenses Hawk Anamorphic Lenses 1.3 x. Hawk Anamorphic Lenses 1.3. x. Hawk has developed a revolutionary motion picture film format that gives cinematographers an entirely new look. Hawk 1.3x glass provides desirable anamorphic qualities, such as barrel distortion, flares, and elliptical bokeh combined with very high resolution and extended depth of field. The movie Bridge of Spies, released in 2015 and directed by Steven Spielberg, was shot on film using ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera and Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses with Janusz Kaminski as cinematographer and editing was done on the Avid Editing System by Michael Kahn. The Hawk V-Lite Vintage '74 primes are made in Germany by Vantage Film. The '74s have the same mechanical and optical design as the industry leading V-Lites, but with coatings that are reminiscent of anamorphic lenses from the 1970s. The Summicron lenses are generally slower, but sharper. Even so, they were used in tandem with Panavision's deliberately historical PVintage lenses on The Magicians - and again on Thirteen Reasons Why, using the 1.3:1 anamorphic Hawk V-Lite Vintage'74 lenses. If there were more consistency in the world, we might expect to see faster The Hawk Vintage´74 Lenses deliver the lower contrast and chromatic and flare characteristics of older, 1970s lenses, but with precise, modern mechanics and the dependability, sharpness and consistency of all current Hawk lenses. HAWK VINTAGE´74 PrImEs Cinematographers who seek the signature 1970s look, complete with low contrast, flares, Arri Alexa SXT, Hawk V-Lite Vintage '74 Lenses; Arricam LT, Hawk V-Lite Vintage '74 Lenses; Laboratory. Company 3 (digital intermediate) Negative Format. 35 mm (Kodak) Codex; Cinematographic Process. ARRIRAW (4.5K, 2.6K, source format) Digital Intermediate (4K, master format) Dolby Vision; hawk v-lite vintage '74. hawk c-series. camtec vintage series cooke/i sf. todd ao. kowa cine prominar. kowa cine prominar | ps technik — 16mm primes — arri zeiss ultra 16 prime. arri zeiss 16mm super speed. arri zeiss 16mm super speed - uncoated. kowa c-mount mini . zooms — spherical zooms — z2UgtJ.